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Azurite is a soft, deep blue copper mineral produced by weathering of copper ore deposits. It is also known as Chessylite after the type locality at the Chessy-les-Mines near Lyon, France.[2] The mineral has been known since ancient times, and was mentioned in Pliny the Elder's Natural History under the Greek name kuanos (κυανός: "deep blue," root of English cyan) and the Latin name caeruleum.[4] The blue of azurite is exceptionally deep and clear, and for that reason the mineral has tended to be associated since antiquity with the deep blue color of low-humidity desert and winter skies. The modern English name of the mineral reflects this association, since both azurite and azure are derived via Arabic from the Persian lazhward (لاژورد), an area known for its deposits of another deep blue stone, lapis lazuli ("stone of azure"). Azurite crystals are monoclinic, and when large enough to be seen they appear as dark blue prismatic crystals.[2][3][5] Azurite specimens are typically massive to nodular, and are often stalactitic in form. Specimens tend to lighten in color over time due to weathering of the specimen surface into malachite. Azurite is soft, with a Mohs hardness of only 3.5 to 4. The specific gravity of azurite is 3.77 to 3.89. Azurite is destroyed by heat, losing carbon dioxide and water to form black, powdery copper(II) oxide. Characteristic of a carbonate, specimens effervesce upon treatment with hydrochloric acid. Uses Pigments Azurite was used as a blue pigment for centuries. Depending on the degree of fineness to which it was ground, and its basic content of copper carbonate, it gave a wide range of blues. It has been known as mountain blue or Armenian stone, in addition it was formerly known as Azurro Della Magna (from Italian). When mixed with oil it turns slightly green. When mixed with egg yolk it turns green-grey. It is also known by the names Blue Bice and Blue Verditer. Older examples of azurite pigment may show a more greenish tint due to weathering into malachite. Much azurite was mislabeled lapis lazuli, a term applied to many blue pigments. As chemical analysis of paintings from the Middle Ages improves, azurite is being recognized as a major source of the blues used by medieval painters. True lapis lazuli was chiefly supplied from Afghanistan during the Middle Ages while azurite was a common mineral in Europe at the time. Sizable deposits were found near Lyons, France. It was mined since the 12th century in Saxony, in the silver mines located there.[6] Azurite was distinguished from (the much more expensive) purified natural ultramarine blue by heating (as described by Cennino D'Andrea Cennini). Ultramarine withstands heat, whereas azurite turns black (copper oxide). Gentle heating of azurite produces a deep blue pigment used in Japanese painting techniques. Jewelry Azurite is used occasionally as beads and as jewelry, and also as an ornamental stone. However, its softness and tendency to lose its deep blue color as it weathers limit such uses. Heating destroys azurite easily, so all mounting of azurite specimens must be done at room temperature.
The intense color of azurite makes it popular collector's stone. However, bright light, heat, and open air all tend to reduce the intensity of its color over time. To help preserve the deep blue color of a pristine azurite specimen, collectors should use a cool, dark, sealed storage environment similar to that of its original natural setting. Prospecting While not a major ore of copper itself, azurite is a good surface indicator of the presence of weathered copper sulfide ores. It is usually found in association with the chemically very similar malachite, producing a striking color combination of deep blue and bright green that is strongly indicative of the presence of copper ores. History The use of azurite and malachite as copper ore indicators led indirectly to the name of the element nickel in the English language. Nickeline, a principal ore of nickel that is also known as niccolite, weathers at the surface into a green mineral (annabergite) that resembles malachite. This resemblance resulted in occasional attempts to smelt nickeline in the belief that it was copper ore, but such attempts always ended in failure due to high smelting temperatures needed to reduce nickel. In Germany this deceptive mineral came to be known as kupfernickel, literally "copper demon". The Swedish alchemist Baron Axel Fredrik Cronstedt (who had been trained by Georg Brandt, the discoverer of the nickel-like metal cobalt) realized that there was probably a new metal hiding within the kupfernickel ore, and in 1751 he succeeded in smelting kupfernickel to produce a previously unknown (except in certain meteorites) silvery white, iron-like metal. Logically, Cronstedt named his new metal after the nickel part of kupfernickel. An unintended later consequence of his choice is that both Canadian and American coins worth one-twentieth of a dollar are now named after a German term for "kobolds"—that is, they are called nickels. Composition
Weathering Azurite is unstable in open air with respect to malachite, and often is pseudomorphically replaced by malachite. The weathering process effect of the replacement of some the carbon dioxide (CO2) units with water (H2O). This change in the carbonate/hydroxide ratio of azurite into the 1-to-1 ratio of malachite: 2 Cu3(CO3)2(OH)2 + H2O → 3 Cu2(CO3)(OH)2 + CO2 From the above equation the conversion of azurite into malachite is attributable to the low partial pressure of carbon dioxide in air. Azurite is also incompatible with aquatic media, such as salt-water aquariums. References 1. ^ http://rruff.geo.arizona.edu/doclib/hom/azurite.pdf Handbook of Mineralogy Retrieved from "http://en.wikipedia.org/"
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